Cut. Graded.
Finished.
Video post-production and editing for corporate films and event recordings — footage assembly, colour grading and subtitles, delivered across Europe.
Welcome to Peppiatt
A post-production desk for teams that already have the footage. We assemble and splice rushes, grade the picture, set the captions, and hand back finished files in the formats your channels need — with a clear review round at each stage.
Editing that holds the story together
Footage assembly, rough cut and fine cut. We work through rushes, build the sequence, tighten pacing and splice in pick-ups — then hand you a review link with timecoded notes before the grade begins.
Colour, sound and captions in one pass
Grading, audio balance and subtitle timing finished together — so the master you approve is the master you publish.
When clients bring us in
Five situations that account for most of the work. If yours is not here, send the brief anyway.
- Footage already shot, no edit
- A shoot produced rushes but nobody to assemble them — we log, assemble and deliver a first cut with timecoded notes.
- Corporate film needs a finish
- Interview-led footage that needs pacing, grade, lower thirds and captions before it can go on the site.
- Event recordings nobody watches
- Multi-track conference audio and long room recordings cut into session edits and short highlights.
- Same film, many formats
- One master needed as 16:9, 1:1 and 9:16 with captions — delivered together rather than re-edited per channel.
- Campaign look must match
- A series of films that have to sit together, graded to a consistent look rather than per-video fixes.
What you get back
Every project closes with the same four things, whatever the size.
Masters
Delivered in the formats you nominated — ProRes, H.264 or H.265, at the runtime agreed.
Ratio cutdowns
16:9, 1:1 and 9:16 versions cut from the same timeline, not re-edited by hand.
Captions
Burned-in or side-car SRT/VTT, timed and line-broken to read at speed.
Delivery note
One page listing every file, its resolution, codec, runtime and where it belongs.
Editing, colour, captions and delivery — one pipeline, one review link.
Scope first, then a price
We do not publish a rate card, because editing a two-minute product film and finishing a forty-minute conference recording are not the same job. What we do instead is fix the four variables below in writing, then commit to a price and a date.
Two review rounds are included. Anything that changes the scope after that is quoted before it starts — never invoiced as a surprise at the end.
| Finished runtime | Quoted per finished minute band, not per hour of rushes. |
|---|---|
| Footage volume | Logging and assembly scale with rushes; graded work does not. |
| Delivery formats | Extra ratios and caption files are priced as a group, not per file. |
| Turnaround | Standard or short-notice; short-notice is confirmed before we commit a date. |
Tell us about your project…
Runtime, footage volume and delivery formats are all we need to quote — and to tell you what the finished master will look like.